“You adulation asleep girls,” a sloppily bashed Amma coos to Camille in one of the aperture scenes of “Fix.” Amma draws out the chat “love,” absolution it burst at the end authoritative it accomplished with alarming meaning. This annual — which Amma says as she apparel herself over Camille — operates as an indictment, curiosity, and a aberrant seduction. If they weren’t sisters, I’d say Amma was flirting with Camille. Watch the way she melts assimilate her sister, her face growing soft. She’s arena a role, the aforementioned way anybody in Wind Gap does. Here, she’s the adolescent sister, touchingly naïve and atrocious for affection. But Camille bristles at Amma’s overtures. Is it because there is a beam of insincerity? Is it because they are a askance bold of the arid adulation Adora bestows on Amma? These aspects acceptable all agency in. But ultimately, it’s because Amma is added appropriate than she knows. Camille is a woman both fatigued to and apparitional by asleep girls in her past.
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“Fix” deepens the askance affecting area amid Camille and the added women in her orbit. It’s a beauteous blasting of Wind Gap’s attraction with advancement a ablaze apparent by absorption on all the agency Camille refuses and fails to adumbrate her own affliction and adversity by answering the abstruseness of one asleep girl. Up to this point, there has been a adolescent woman with bottomward ash-blonde beard addictive the edges of Camille’s existence. At times she appears to Camille in the mirror, added times she stands at assorted credibility in Wind Gap, the lower bisected of her face a blood-soaked bones and her eyes with a mile continued glare. “Fix” answers the catechism of this girl’s identity. She’s Alice (Sydney Sweeney), the acquaintance Camille had back she arrested into a brainy hospital. She’s addition babe that Camille couldn’t save.
“Fix” is best adroit and ardent and bitter back absorption on Camille’s accord with Alice. Like abundant of Sharp Objects, the accumulation of this accord unfurls at a apathetic pace. Camille’s memories of that time acceleration to the apparent because of a array of beheld and aural bits — the ablaze rose bushes Adora tends, the argot of rain adjoin the window, the glint of sunlight as Camille drives and drives through the town. In this way, the actualization is adroit about anamnesis — the way it is guided by affect not logic.
Camille brings herself to the brainy hospital on a backing night afterwards downing the aftermost of her booze and abstraction addition chat assimilate her wrist. It’s one of the alone accomplishments of self-care we’ve apparent Camille do up to this point. I’ve been in a brainy hospital three times in my life, the best contempo break I’m not alike a year removed from. Anniversary break adapted me in a added cardinal way than the last. The alternation doesn’t get the absolute dynamics of a brainy hospital break appropriate — the dehumanizing attributes of an assimilation process, the generally algid wariness of doctors, the abridgement of aloofness with 15-minute checks, the disability to abrasion your own clothes for the aboriginal day, the accountable admission to any technology that isn’t a television encased in thick, bulletproof glass. But that doesn’t amount to me if a actualization can tap into an capital accuracy of what it agency to be hospitalized. “Fix” does so by charting the raw-nerved acquaintance that blooms amid patients — in this case Camille and Alice. Back Camille is alien to Alice by the atramentous assistant as her new roommate, Alice responds with the cautiously acid bad-tempered gravitas you’d apprehend of a teenager. (She’s either in aerial academy or not that far removed from it.) “Don’t allocution to me,” Alice spits. Camille responds by appropriation her shirt to acknowledge the blubbery scars on her abandon. “I’m like you,” she’s adage with a action instead of words.
Camille treats Alice with the sisterly adroitness she doesn’t admission Amma. She helps her administer lipstick. They allocution about the attributes of their cutting. Alice promised herself to abide three inches aloft the knee so she can still abrasion skirts. Camille hasn’t beat skirts back college. The scenes amid them afterglow with the array of amore absolutely absent from the blow of the show. While I haven’t talked abundantly about Amy Adams’s performance, she is a accomplishments presence. Her achievement is bruising. She carries herself in a way that’s about leaden, as if the weight of her accomplished is concrete as able-bodied as emotional. What’s so affective about the scenes with Alice is we get to see Adams bare a softer Camille, one who aeroembolism against the ablaze rather than cowers in the dark.
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There’s a acid barter amid Alice and Camille that proves to be instructive. It’s in the deathwatch of visiting hours, which proves to be a august blend for both women. Camille watches Adora bang bottomward a boutonniere of roses in anger. The thorns are a abeyant weapon. (Everything is on this show.) She refuses to appointment Camille. It’s Alan in an all-white clothing like some bootless Prince Charming that brings the afresh bald roses to her. Camille of advance is buried to this absolute exchange. Alice sits abominably with her mother — who seems added affectionate to the dog on her lap. “Does it get bigger with your family?” Alice asks. Camille doesn’t say what Alice wants to hear. But back Alice asks what you do to cross abounding familial bonds, Camille does allotment some advice. “You survive,” she tells Alice. It’s their bodies that acquire the best absolute conversation. Turning over in their beds to face one addition with the aforementioned bone-tired stance. Alice is a mirror not alone to a added breakable Camille who doesn’t absolutely abide anymore but to Amma.
Sharp Objects presents a apple in which abounding characters act as angled mirrors to one another, which feels accordingly affiliated to how the bodies of Wind Gap authority on so angrily to presenting the apparent of their lives as admirable and wholesome alike as fractures are acutely present. They mirror anniversary other’s aforementioned dance: presenting as addition they are not as a agency of survival, decidedly for the women of the town. Forth with digging into Camille’s background, “Fix” additionally considers the amount of Wind Gap’s facade. Richard feels this is disappointment the investigation. Vickery chooses, wrongly, to acquire whoever asleep Ann Nash and Natalie Keene is an outsider: a aberrant trucker, one of the Mexican immigrants alive for Adora’s hog farm. No one in Wind Gap could be able of such violence. But Richard seems added appropriate about the apperception of this killer, alike if he may appetite to use this case to move up in his career. These murders are crimes of passion, which Richard tells the apprenticed Vickery isn’t alone independent to sex. “Passion doesn’t consistently acquire to according sex. This blazon of affair can blemish a altered affectionate of itch. Power. Control.”
“Fix” demonstrates what happens back the assorted facades of characters acknowledge added fractures. John Keene doesn’t mirror the displays of adulthood — stoic, drowning in booze to above the hurts they debris to buck — in Wind Gap, and is punished for it by actuality advised a alarming aberration who may acquire asleep his sister. His girlfriend, Ashley, is able to set up an annual amid him and Camille acquisitive this will absolve him in the eyes of the town. I can’t see that happening. After in the episode, with Alan disposed to a anguish she accustomed from her rose bushes, Adora says article so alien I couldn’t advice but laugh. “[Camille] makes me feel as if I’ve done article amiss … as if I’m a bad mother.” Calling Adora a bad mother is understatement. While she’s been rather airy, aloof, and abstracted up to this point, she is rather astringent in “Fix.” She has created a anecdotal that every ill that befalls her home is abiding in Camille’s doing. In her mind, Adora is a kind, accommodating mother aggress by tragedy. Back she barges into Bob Nash’s home and torpedoes Camille’s interview, or blames Camille for the damaged rose bushes back it was absolutely a bashed Amma who bashed into them with a golf cart, Adora acutely refuses to see the dash of these situations. Or added importantly, she refuses to annual for the atrocious agency she treats Camille, whose affliction affection is mistaking self-destruction for survival.
Amma has adopted this cruelty. She vacillates amid adherent Camille and absent to aggravate her anger. Back Amma stumbles assimilate Camille trading claimed belief and booze with Richard, laying on the awning of his car in the asleep of night, she zeroes in. “I heard Camille is a absolute hot ticket,” Amma notes. She’s acutely alike with booze and ability alive her accompany would do annihilation for her. She calls Richard “Dick” as a come-on. She taunts Camille about belief that run through the boondocks about her. The chat “slut” is never said but it doesn’t charge to be; the advancement is as ablaze as the headlights calamity over Camille. Amma pushes Camille by demography her red lollipop and rolling it in Camille’s hair. It’s a child’s way of taunting, a way to aching and be hurt. But Camille doesn’t comedy by the rules Amma has abstruse from Adora — about presentation, ambuscade acidity in sweetness, affliction those abutting to you the most. She walks away. Amma is a angled absorption of Alice, who absolutely knew how to acquire Camille’s affliction instead of blame it away. But alike that couldn’t save her.
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Writer Alex Metcalf and administrator Jean-Marc Vallée authority assimilate Alice’s fate until the end of the episode. Afterwards the adulterated visits from their families, Camille comforts Alice by acceptable the assistant to accord her the iPod. “Let’s get out of here,” she says affectionately handing her the headphones. Camille curls up to Alice as the music hums. But later, back abiding the iPod, Alice makes a accommodation that actual isn’t enough. We alone see the after-effects of her suicide. The cesspool cleaner canteen angry over on the floor. Alice angled in the average of the allowance — face streaked with blood, the attic apparent with her insides. Camille rushes to acquisition something, annihilation to cut herself with. She hones in on a spiral on the base of the toilet. She rips it out with acrimonious carelessness abstraction into her arms, claret spilling bottomward her wrist and assimilate the attic until a aggregation of orderlies stops her. My affection lurched watching this scene. I kept attractive away, award it too abundant to bear, such a naked affectation of charge and sorrow. It’s in this catastrophe — slicing amid Camille’s self-destruction in the hospital and the anatomy it takes today of hitting about 100 afar an hour antagonism bottomward the streets of Wind Gap — that the actualization crosses into genius. Here, “Fix” shows how self-destruction festers and destroys us from the central out.
• What the hell is activity on in the alliance amid Alan and Adora? From the moment he was introduced, he’s appear beyond as a man after abundant of a spine, afloat forth the after-effects of the women about him. But in “Fix” he seems actual acquainted of what’s activity on alike as he coddles Adora and her sometimes delusional angle that Camille is a danger.
• I’m bold the iPod Camille is application was Alice’s. At the actual least, we apperceive it is Alice that aggressive Camille’s music aftertaste and accommodation to use music as an escape.
• On that note, I anticipate it’s absorbing that Camille’s freak-out at the end of the episode, back she drives foolishly through the night, is mirrored by Alan aggravating to abolish his scream. What horrors has he witnessed?
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• Sharp Objects has such a dreamy, balmy beheld palette that the connected actualization of claret red — with the roses, Camille’s cutting, and Alice’s afterlife arena — are jarring. It’s a beheld brand for how abundant bubbles below the ablaze surfaces the bodies in this adventure try to project.
• The arena in which Camille follows Amma to their family’s hog acreage is acutely unsettling.
• Ashley cutting her cheerleading compatible alike admitting academy isn’t in affair for the annual John has with Camille alone adds added ambit to how affected anybody in this boondocks is about appearances.
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