Haley Heynderickx is a deceptively affable accompanist who writes songs that alloy folk, bedrock and classical with a adumbration of jailbait ability and mischief. Her dry faculty of amusement isn’t anon apparent, but it filters through her songs and date persona, alike her interviews.
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The wry address belies the abounding recording action for her acclaimed admission album, “I Need to Alpha a Garden” (Mama Bird). It took three recording sessions that broke out her claimed accumulation afore she assuredly nailed things down. Now that the album’s assuredly out, Heynderickx is appealing blessed with it, except for that anthology awning …
“Pretty much, yes,” she says, “but I’ve still got a few issues with my haircut, my bob.”
Her hairstyle was the atomic of her apropos while she was in the bosom of disturbing to chase up her well-received 2016 EP, “Fish Eyes.”
“For some people, hitting the appropriate addendum in the appropriate accent is abundant to accomplish a acceptable record,” she says. “But I was aggravating to bandage up my affections with what I was creating. It took time to acquisition the appropriate producer. I basically capital to feel the aforementioned way recording the songs as I did back I was autograph them. I had one ambassador who was fatigued about money and flat time and how abundant anniversary day in the flat was costing. Once money entered into it, I absent focus.”
The Portland, Ore.-based accompanist assuredly affiliated with Zak Kimball, who concluded up bearing the almanac with the affectionate of absorption to dash and detail that she valued. With a five-piece band, Heynderickx recorded three versions of anniversary song, in acoustic, electric and chamber-pop formats.
“I acquainted a affectionate of familial bandage with this band,” she says. “You admiration what you’re accomplishing and feel this attenuate existential stress, but it becomes a activity of adulation back anybody is alive calm on something. My songs alpha with articulation and guitar, but I assurance my bandmates to booty them in a new direction. They appearance me altered ambit of what anniversary song could be.”
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Heynderickx grew up alfresco Portland and began autograph in journals and autograph songs as a way to accumulate her apperception occupied. The alone guitar abecedary in boondocks specialized in bluegrass, which she knew annihilation about, but anon begin herself absorption by the melodies and counterpoint curve she could adjure by finger-picking.
After aggravating college, she struggled to acquisition accomplishing work. She assuredly accomplished that music was “one of the few professions I could dive into that would accompany me joy and community, clashing alive in chump account at a hotel,” she says. She’s still in abnegation that music has angry into “a austere thing,” she says. “I still can’t accept it, because autograph songs is what gives me the best joy.”
Her songs accept resonated, conspicuously her aboriginal single, “Oom Sha La La,” in which the evidently cool appellation byword underlines the self-deprecating all-overs in the lyrics.
“The Beatles said they acclimated funny bake-apple back they couldn’t anticipate of lyrics, so I acclimated ‘pomegranate’ in one of the curve and it affectionate of fit,” she says. “I never questioned area it came from. I additionally afresh abstruse from a aerial academy accent abecedary who told me ‘Oom Sha La La’ agency article in Arabic: It turns out I’m singing ‘mother mother mother waterfall.’ That’s a candied sentiment, an abrupt benefit of aloof authoritative things up and actuality accessible to it.”
Serendipity is allotment of the songwriting process. “Each song is a blessed accident,” she says. The three continued verses afterwards a burden that appearance the abrasive “Worth It” came out in a burst.
“People anticipate in a analytical way back they address songs, they actualize a structure, but I aloof go for it,” she says. “Drinking Song” angry into an camp singalong for “the good, the bad and the gone” afterwards Heynderickx apparent the audience on her laptop.
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“I was bashed back I wrote it and I was slurring all the words, so I hid it,” she says. “It was embarrassing, but I was assertive it had article so I didn’t aloof annul it. You tap into an emotion, accomplish a song out of it and one day you’re accessible for bodies to apprehend it.”
Greg Kot co-hosts “Sound Opinions” at 8 p.m. Friday, 7 p.m. Saturday and 2 p.m. Sunday on WBEZ-FM 91.5.
Greg Kot is a Tribune critic.
When: 8 p.m. Thursday
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Where: Martyrs, 3855 N. Lincoln Ave.
Tickets: $15; www.martyrslive.com
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