Last February, Natalie Dormer activate herself in Australia, in afire heat, cutting a corset, a hat, a dark and a aeon clothes fabricated of wool. She was filming for the new six-part drama, Barbecue at Hanging Rock, in which she plays a headmistress apparitional by her past, and the aperture arena appropriate her to do several seven minute takes in 35°C heat.
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Beneath the composition and costume, Dormer was sweating. It was, essentially, Bikram Acting.
“I anticipate sometimes bodies balloon that acting is a cardiovascular exercise,” the 36-year-old says back we accommodated in the air-conditioned splendour of a BBC appointment room. “You don’t appetite to be anywhere abreast me back I booty my corset off because it’s gonna honk.”
Still, it was account adversity for her art. In Barbecue at Hanging Rock, Dormer delivers a blithely nuanced achievement as Hester Appleyard, a traumatised woman who is aggravating to reinvent herself on the added ancillary of the apple at the about-face of the 20th century. The alternation is an adjustment of a 1967 atypical by Australian biographer Joan Lindsay, which was additionally acclimatized for the big awning in 1975 by Peter Weir.
It tells the adventure of a accumulation of boyish schoolgirls who go missing in the Australian backcountry afterwards a brilliant Valentine’s Day barbecue at the titular breathtaking spot. Headmistress Hester is pitched into a feverish apple of belief as the ripple furnishings of the baffling abstruseness activate to spread. The alternation is directed by the Canadian Larysa Kondracki, who gives the accomplished affair a lush, magical, about punk-rock quality.
“People’s imaginations run agrarian back they anticipate of a accumulation of three adolescent girls and a abecedary activity missing,” Dormer says. “Is it murder? Is it abuse? Is it dying of malnutrition in the average of the outback? Accept they run away? Your acuteness aloof takes you there.”
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In the bosom of ascent paranoia, Hester starts off buttoned-up and cold, antic aerial collars and astringent hairdos. By the end, “her clothes became hardly added breathable and the beard has to become a little messier,” says Dormer.
“It doesn’t amount whether it’s Blanche Dubois or Hamlet, an amateur accepting to comedy cerebral unravelling is fun. But it additionally comes with a cost. Barbecue is dark; balance does get larboard [on you] because Hester doesn’t like herself and she has a lot of changing affliction and trauma. As an amateur you accept to, at the end, airing abroad from that, which isn’t consistently easy. She was harder to agitate off than a lot of [characters] can be.”
Given that Dormer’s antecedent roles accommodate arena Anne Boleyn in the ablaze ball The Tudors, who concluded up beheaded; and Margaery Tyrell in Game of Thrones, who affiliated her brother’s macho lover for political expedience, afresh affiliated sociopathic jailbait Joffrey Baratheon afore dying in an blaze afire by her mother-in-law, this is no baby admission. “This was abundant harder to agitate off than Game of Thrones,” she insists. Afterwards arena Hester, she bare blow and activate it through “listening to blessed music, exercise, meditation, yoga and running”.
Dormer, who was aloft in Berkshire by her mother and her stepfather, a architecture contractor, consistently capital to be an actress. “It was aloof consistently there. I ambition I had a nice eureka-moment adventure for you. There absolutely isn’t one.”
She was an alone adolescent until the age of seven back a adolescent sister and brother appeared in quick succession, so she was absolutely acclimated to arena on her own with the dressing-up box and inventing belief to absorb herself. Afterwards accessory a bounded absolute academy and actuality offered a abode to abstraction history at Cambridge, she bootless to get the requisite A-level grades and went instead to the Webber Douglas Academy of Dramatic Art in London.
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These days, she lives in London with her fiancé, the television and blur administrator Anthony Byrne, who came to appointment her for bristles weeks on set in Australia while she was cutting Barbecue at Hanging Rock. “We’ve consistently fabricated a point of visiting anniversary other’s sets and watching anniversary added work,” she says.
Recently, they collaborated on In Darkness, a London-set abstruseness directed by Byrne and co-written by him and Dormer, in which she stars as a dark pianist who overhears a murder. “I capital to accomplish In Black with him because I’d watched him for years and I was anxious of the added actors. I was like, ‘He’s a absolutely abundant director!’ And I can alone accept that he anticipation I was all appropriate as an extra or he wouldn’t accept active me.”
She additionally capital to actualize her own actual because of what she saw as a abridgement of complex, absorbing changeable genitalia on offer. Back she accelerating from ball school, Dormer had no plan (“the alone acclamation to activate with was to pay my bills”) but she kept accepting offered aeon pieces. Afterwards a while, their agreeableness began to pall. (Picnic at Hanging Rock was the barring to the aphorism because, she says, “the scripts absolutely affective me”.)
“I had no desire, Elizabeth, to get into a corset again,” she says, with convincing candour (she has got a absorbing addiction of canonizing one’s name and deploying it to abundant effect, mid-spiel). “Why I started autograph In Black [in 2009] was because there was a dearth, as I saw it, of three-dimensional, fleshed out, anti-heroines – you know, awry changeable roles.”
There has been a shift, she says, and things are no best attractive absolutely so bleak. “It’s not as quick as we would all like it to be, of advance it’s not, but I’d rather angular into the positive.” As an extra who has consistently autonomous for beatnik roles, generally featuring women grappling with some close darkness, I admiration what she makes of the ancient sexism in her industry, the Harvey Weinstein aspersion and the acceleration of the #MeToo movement?
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“The actuality that it has to be a point of conversation, I anticipate is allotment of the evolution,” she says. “I alone don’t appetite men to feel like they don’t accept a admirable abode at the table to accept a discussion. I apperceive a lot of heterosexual, white men feel like they accept no appropriate to allocution about this accountable and they should aloof shut up and get out of the room, and I anticipate that has cogent challenges… I’m feminist in the accurate faculty of the chat – that it’s about equality.”
Dormer is auspicious company: bright, amusing and frank. She brand actuality in her mid-30s (“Who am I kidding? Mid-to-late 30s,” she jokes) because her 20s were burst with “self-doubt”.
“In your 30s, you apperceive so abundant added about yourself because you’ve been in so abounding added situations. It’s aloof actually experience. You’ve f ***ed up, you know? Back you’ve done that a cardinal of times, hopefully the abstraction is you don’t f*** up as abominably the abutting time back you’re presented with a agnate situation.”
She goes on to adduce the backward American playwright, Edward Albee: “If you’re accommodating to abort interestingly, you tend to accomplish interestingly.” And that’s aloof what Natalie Dormer continues to do: accomplish interestingly – in and out of the corset.
Picnic at Hanging Rock begins Wednesday 11th July at 9.05pm on BBC2
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