Opening weekend of Fantasia Ceremony 2018 is aloft us, and while I won’t be on the arena in Montreal until Monday the 16th my activity akin is already appealing abuse high. I adeptness alike try poutine this time! The fest is a highlight every year for blur admirers from about the world, and this year’s calendar promises to already afresh bear an absurd mix of action, horror, drama, comedy, and all-embracing weirdness.
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There are 116 appearance arena this year alongside abundant abbreviate films and appropriate events, and while I won’t be able to see them all there are added than a few that I’m best attractive advanced to.
Tales from the Hood 2 is apple premiering at the fest, and while it’s not the abandoned abhorrence album arena this year it’s assuredly the best long-awaited. Twenty-three years afterwards the aboriginal blur — an underloved casting archetypal — the aboriginal director/writers accept alternate with added EC Comics-inspired terror. I’m a abhorrence album aficionado and am additionally attractive advanced to Daydream Cinema and The Field Guide to Evil, but today’s apple actuality what it is this is the multi-headed monster I’m best acquisitive to catch.
Any adventitious you get to see a Takashi Miike cine on the big awning should be absorbed deeply in both hands, and that’s aloof what I’ll be accomplishing with his new blur Laplace’s Witch. The blur appears to be a added aseptic activity from the madman, but alike a aseptic Miike is added capricious than best added filmmakers at abounding tilt. So yeah, I’m all in on a annihilation abstruseness helmed by the administrator of Visitor Q, Happiness of the Katakuris, and Audition.
David Robert Mitchell’s It Follows charcoal one of the best adroit abhorrence films in contempo years, and amid it and his affection admission (The Myth of the American Sleepover) it’s bright he’s a administrator to watch. Beneath the Argent Lake sees Mitchell arrest the LA noir with ambition, humor, and a able faculty of identity, and with Andrew Garfield demography beforehand it promises to be a abstruseness account gluttonous out.
Some movies abeyance you in with a trailer, a pedigree, or the aerial affiance of beforehand praise, but added times all it takes is a title. The Man Who Killed Hitler and Then The Bigfoot is one such film. The appellation abandoned makes this a must-see, and you’re lying if you say otherwise. Add in that the allegorical Sam Elliott is arena the appellation role (the man, not the Bigfoot) and you accept a cine that’s artlessly absurd to miss.
The Witch: Allotment 1. The Subversion is a angrily bizarre title, but it’s apparently my best advancing blur of the fest all the same. Why? It’s a South Korean activity flick for one thing, and while that’s abundant for me to alpha salivating it’s additionally from the beautifully askance apperception of Park Hoon-jung (the biographer of I Saw the Devil). The cine looks to alloy action, sci-fi, and absolutely Korean awesomeness into a 126 minute package, and that is absolutely my jam.
Other films I’m acquisitive to bolt accommodate Sion Sono’s Tokyo Vampire Hotel (a affection adjustment of his contempo Amazon Prime series), Joseph Kahn’s Bodied (which I’ve already absent at three altered festivals), Puppet Master: The Littlest Reich because how can I not appetite to see that, the awful acclaimed Japanese crank flick I Am a Hero, and many, abounding more. Films I’ve already apparent and can acclaim aboveboard accommodate The Night Eats the World, One Cut of the Dead, Gonjiam: Haunted Asylum, and the absolutely ablaze Anna and the Apocalypse.
Keep account for a attending at the third beachcomber titles beneath (and analysis out the aboriginal and additional after-effects too). Hope to see you in Montreal!
AFTER CONQUERING SUNDANCE AND CANNES, MANDY COMES TO FANTASIA (Official Closing Film)
Fantasia’s 22nd archetype will abutting on a accurate adeptness ambit with the Canadian Premiere of the thunderously-acclaimed MANDY (Official Closing Film), Panos Cosmatos’ continued accessible green affection afterward the beauteous BEYOND THE BLACK RAINBOW. The blur makes its aboriginal screening in the country afterwards transfixing audiences at Sundance and Cannes’ Director’s Fortnight. Starring an abnormally able Nicolas Cage in a achievement that seethes with internalized rage, MANDY additionally appearance a shredding beginning cyberbanking account from the backward Jóhann Jóhannsson that works hypnotically with the film’s pacing and adumbration to actualize a abstracted affection of near-death intoxication. MANDY is a pounding, bleeding act of cinema that’s as atypical as it is sensational.
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DONNIE YEN WILL SCHOOL YOU IN BIG BROTHER (WorldPremiere)
Mixed aggressive arts accommodated high-school intrigue, with Hong Kong superhero Donnie Yen (ROGUE ONE: A STAR WARS STORY) at the blackboard! The closing nightfestivities of Fantasia 2018 will activate with the World Premiere of BIG BROTHER, which sees Yen reuniting with activity administrator Kenji Tanigaki (GOD OF WAR, Fantasia 2017) and carrying an exhilarating, bookish aberration on the aggressive arts film. Having collaborated on the action scenes in WU XIA (aka DRAGON, Fantasia 2011) and LEGEND OF THE FIST: RETURN OF CHEN ZHEN, Yen and Tanigaki already afresh acreage a bone-breaking bull’s-eye with BIG BROTHER.
TAKASHI MIIKE TURNS MATHEMATICS INTO WITCHCRAFT IN THE NORTH AMERICAN PREMIERE OF LAPLACE’S WITCH
Everyone knows the bound bandage that has affiliated Takashi Miike and Fantasia for over two decades, and the ceremony is honoured to abide the attitude with the North American Premiere of his arresting new annihilation mystery LAPLACE’S WITCH! Of course, in Miike’s hands, things bound veer into the abrupt back a geochemistry assistant investigating a bifold annihilation case meets a adolescent mathematics adeptness with an about abnormal akin of knowledge. Crafting attractive imagery, beauteous locations, and arch appropriate effects, Miike and his star-studded casting accompany us bottomward an abrupt aisle area the abstruse and absoluteness collide. Long-time Miike fans, as able-bodied as those aloof now acquirements of his work, will not be disappointed!
A MASTER CLASS WITH TIMUR BEKMAMBETOV – AND THE CANADIAN PREMIERE OF PROFILE
Fantasia audiences were the aboriginal in the world to see UNFRIENDED back it launched at the ceremony beneath its aboriginal title, CYBERNATURAL. Producer Timur Bekmambetov pioneered its innovative, immersive storytelling access – dubbed “Screenlife” – which blithely captures the way we acquaint online. This year, Fantasia will advertise a leash of Screenlife features, ceremony landing with an aberrant appulse that’s wholly unique, and tells a actual altered affectionate of story. In accession to the previously-announced SEARCHING (Canadian Premiere) and UNFRIENDED: DARK WEB (International Premiere), the ceremony is appreciative to advertise the Canadian barrage of PROFILE, a arresting award-winner at Berlinale and SXSW, about a announcer catfishing an ISIS recruiter, based on the book album “In the Skin of a Jihadist”. On July 17, Bekmambetov will conduct a multimedia adept chic blow accurately centered about the birth and assembly methodologies of this ablaze storytelling approach.
PUNK SAMURAI SLASH DOWN SLICES ITS WAY TO A NORTH AMERICAN PREMIERE!
Japanese jailbait rocker Ko Machida’s 2004 berserk meta atypical rips up the argent awning in Gakuryu Ishii’s PUNK SAMURAI SLASH DOWN (North American Premiere). Loaded with arced aberancy and jolts of anachronistic bedrock ’n’ cycle energy, the accurate adjustment by Ishii (formerly Sogo) is aloof as colourful, anarchic, and aweless as you’d expect, accustomed his bona fides as a key agitator of Japan’s jailbait blur access of the 1980s. Collaborating actuality with biographer Kankuro Kudo (of TOO YOUNG TO DIE! fame), the film’s all-star casting includes Go Ayano (AJIN: DEMI HUMAN), Shota Sometani (PARASYTE), Jun Kunimura (ATTACK ON TITAN), Etsushi Toyokawa (20TH CENTURY BOYS), and Tadanobu Asano (KASANE).
SWIM OUT TO THE NORTH AMERICAN PREMIERE OF BLACK TIDE
Adapted from Dror Mishani’s atypical “The Missing File”, BLACK TIDE is a taut, methodical abomination abstruseness told with quasi-Fincheresque absorption by co-writer/director Erick Zonca (JULIA). Amateur Romain Duris is alluring and Sandrine Kiberlain is heartbreaking, but it’s Vincent Cassel who assault us abroad with his absorbing achievement as an alcoholic cop, whose bedraggled bristles and bristles reflect his tormented, equally-tousled soul. Obsessed with his case like a barbarian gnawing on a bone, this man-on-the-edge is bent to bare the truth, no amount how abhorrent it ends up being.
A HELLISHLY SPECIAL SCREENING OF L’INFERNO (1911), LIVE-SCORED BY GOBLIN’S MAURIZIO GUARINI
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Fantasia presents a appropriate screening of Italy’s aboriginal casting blur (which additionally happens to be the world’s oldest actual feature), the spectacularly surreal 1911 masterpiece L’INFERNO. Loosely based on Dante Alighieri’s Divine Comedy and afflicted by Gustave Doré’s illustrations, the blur was directed by Francesco Bertolini, Adolfo Padovan, and Giuseppe de Liguoro, animate with added than 150 casting and aggregation associates over a aeon of three years. For the film’s 107th anniversary, Fantasia will present a appropriate screening of L’INFERNO with a live-score achievement by none added than Maurizio Guarini of Goblin – the allegorical bandage amenable for of some of Italian abhorrence cinema’s best admired agreeable scores!
GET LAZY WITH RELAXER’S INTERNATIONAL PREMIERE!
Y2K is appropriate about the corner, and Cam (David Dastmalchian) has aloof accustomed his adolescent brother Abbie (Joshua Burge) the dopest claiming ever: to exhausted Johnny Mitchell’s abominable Pac-Man aerial account afterwards anytime accepting off the couch! Not once! Not alike to pee, eat, or drink! SLACKER by way of THE EXTERMINATING ANGEL (with a adumbration of BEAVIS AND BUTTHEAD), Joel Potrykus’ (BUZZARD, THE ALCHEMIST COOKBOOK) latest is a closed-room, mise-en-scène tour-de-force that transforms a gamer’s abominable accommodation into a amplitude of absolute potential. A accurate jailbait film, RELAXER is at already indescribable, demanding, and absolutely insolent, encapsulating the best (and the worst) of ’90s pop adeptness in one empiric trip.
BRING THE BEST MEMORIES OF YOUR FAVOURITE PETS – AND PLENTY OF TISSUES – FOR THE WORLD PREMIERE OF THE TRAVELING CAT CHRONICLES
Kind-hearted Satoru (BLEACH’s Sota Fukushi) has been active appropriately with his cat Nana afterwards rescuing it from a car accident. Despite the bandage that unites them, Satoru’s new assurance armament them go on a alley cruise beyond Japan to acquisition Nana a new owner. Afterward the Fantasia 2016 hit IF CATS DISAPPEARED FROM THE WORLD, Japan has provided a new, acutely able homesickness about man’s added best friend… with aloof a adumbration of fantasy. In THE TRAVELING CAT CHRONICLES (World Premiere), we can apprehend animals talk, which brings on abundant humour, heart, and a accomplished lot of tears. A admirable account of accord and faithfulness, THE TRAVELLING CAT CHRONICLES provides a ardent assignment in activity for the accomplished family.
LOVE HURTS, BODIES SHIFT: THE WORLD PREMIERE OFLIFECHANGER
Drew has the adeptness to carriage from analysis to body, and his account to reconnect with the woman he loves will ultimately prove to be the accident of abounding – conceivably alike Drew himself. The latest from Canadian casting vet Justin McConnell, LIFECHANGER is absolutely the affectionate of acute and able casting allotment that Fantasia takes pride in introducing to audiences. It’s a blur that’s fresh, surprising, and alive, anchored by agitating performances from Lora Burke (POOR AGNES) and Jack Foley. LIFECHANGER is an accomplished admonition that all abundant abhorrence is additionally one allotment tragedy, and it’s that aspect that will advice audiences bethink this one continued afterwards they’ve larboard the theatre.
PREPARE TO OVERDOSE ON COLD, RAW FEAR AT THE CANADIAN PREMIERE OF TERRIFIED
Gifted Argentinean filmmaker Demián Rugna has alone acclimatized his nation’s cinema with this absolutely alarming abstruse daydream that starts with a blood-soaked blast and never lets go. Electric with the pure, raw affectionate of acute abhorrence that makes your absolute analysis anguish with abhorrence and adrenaline, TERRIFIED won accolades at Mar del Plata and has been, well, terrifying audiences everywhere from Sitges and Brussels to Brazil’s Fantaspoa. Prepare yourself, because Fantasia’s Canadian premiere is abiding to arm-twist screams that will be heard a abstemious away.
MEET AN ALTOGETHER NEW KIND OF EXORCIST IN ROOM LAUNDERING
In Japan, law requires landlords to admit adverse passings to their abutting tenants – but that aforementioned law fails to specify aloof how abounding consecutive renters one needs to inform! Thus, Miko Yagumo (Elaiza Ikeda, of THE MANY FACES OF ITO), a shy and alienated adolescent girl, is a “room launderer”: a concise occupant, with the adeptness to see the alcohol of the deceased. With ROOM LAUNDERING (North American Premiere), first-time filmmaker Kenji Katagiri proves himself to be one to watch out for – altogether bamboozlement arbitrary ball and abnormal drama. This gem co-stars veteran, fan-favourite amateur Joe Odagiri (ADRIFT IN TOKYO, MR. GO, AIR DOLL) and Kiyohiko Shibukawa (LOWLIFE LOVE and PUNK SAMURAI SLASH DOWN),
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THE CAMERA LUCIDA SECTION UNVEILS ITS FINAL THREE TITLES!
Fantasia’s Camera Lucida section, committed to experimental, boundary-pushing and auteur-driven works on the borders of casting cinema, unveils its final three Canadian premieres:
Blue is the colour of Mia, a 15-year-old with an odd new thirst. With BLUE MY MIND, Swiss filmmaker Lisa Brühlmann offers a masterful, beginning booty on the alarming decline of a teenager’s anatomy, cleverly entwined with archetypal fairytale storytelling pitched about amid contempo casting hits such as THE LURE and RAW.
When the amount of cigarettes goes up, thirty-something Miso embraces homelessness and sees it as an break to reconnect with old friends. MICROHABITAT, Jeon Go-woon’s hasty aboriginal feature, cautiously reinvents the conventions of slacker cinema. From one amusing ambiance to the next, a complex, tragi-comic account of South Korean association emerges – its chic consciousness, the ambitions that drive it, and the characters that abide it.
When Reed (Christopher Abbott) meets Jackie (Mia Wasikowska), he realizes his meticulous night of annihilation isn’t activity to go as planned. A atrocious cat-and-mouse bold is angry on its head, as writer-director Nicolas Pesce allotment to Fantasia with PIERCING, a dark, askance ball about afterlife and desire, acclimatized from Ryu Murakami’s atypical (AUDITION).
Full Camera Lucida line-up:Being Natural, dir. Tadashi Nagayama (International Premiere); Blue My Mind, dir. Lisa Brülhmann (Canadian Premiere); Chained for Life, dir. Aaron Schimberg (International Premiere); Hanagatami, dir. Nobuhiko Obayashi (Québec Premiere); Luz, dir. Tilman Singer (North American Premiere); Madeline’s Madeline, dir. Josephine Decker (Canadian Premiere); Microhabitat, dir. Jeon Go-woon (Canadian Premiere); Piercing, dir. Nicolas Pesce (Canadian Premiere); Under the Argent Lake, dir. David Robert Mitchell (North American Premiere)All titles will attempt for the AQCC-Camera Lucida prize, awarded by a board of critics from the Québec’s Critics Association (AQCC), affiliate of the FIPRESCI.
CHINA’S ANIMATED DA HU FA IS A RAMBUNCTIOUS, REBELLIOUS FIND!
A appalling fighter discovers a hidden boondocks area dread, violence, and bribery affect in Chinese animator Busifan’s DA HU FA (North American Premiere), presented in agitative 3D at Fantasia. A affably abnormal and aggressive assignment of rambunctious, alienated fantasy animation, this beautifully-animated chance has been abundantly concealed alfresco of China until now.
IT’S A LITERAL FACE-OFF AS KASANE COMES TO NORTH AMERICA
Kasane charge alive with a face askew by a behemothic scar, alike admitting she is adored with absorbing assuming skills. Nina is an aloof extra who looks all-powerful but is absolutely talentless. With the adeptness of a abracadabra tube of lipstick, they will change faces to actualize the ultimate actress. An adjustment of the accepted manga, KASANE is a appreciably able cerebral abstruseness alloyed with aphotic fantasy that armament us to accost our own childishness apropos appearances – all afterwards capacity the assignment bottomward our throat. A ablaze adjustment of mangaka Daruma Matsuura’s altered work, KASANE stars Kyoko Yoshine (the PRINCESS JELLYFISH series) and Tao Tsuchiya (RUROUNI KENSHIN: KYOTO INFERNO), while Tadanobu Asano (THOR) shines as the Machiavellian artist of their pact.
TIRED OF BY THE BOOK ROM-COMS? THE NORTH AMERICAN PREMIERE OF TORNADO GIRL WILL WIN YOU OVER IMMEDIATELY!
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After vowing to archetype the coolest man he knows – real-life abominable hipster pop brilliant Tamio Okuda – Koroki wins the account of his colleagues, but attracts the absorption of Akari (Kiko Mizuhara), the arranger for a appearance casting who’s angry her sex address into a weapon of mass-distraction. Administrator Hitoshi One (BAKUMAN), who already afraid audiences in the rom-com casting with the MTV appearance agreeable amalgam LOVE STRIKES!, hits a bullseye afresh with TORNADO GIRL (North American Premiere), a cutting-edge affair that’s absolutely romantic, commutual with surreal ball that’s absolutely funny! With an amazing casting beforehand by the acceptable duo Satoshi Tsumabuki (FOR LOVE’S SAKE) and Kiko Mizuhara (ATTACK ON TITAN), this one is abiding to win audiences’ hearts.
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